split grade printing fibre based paper

Split grade printing on fibre based paper

[justified_image_grid ids="4271,4293,4564,4565,4266" use_link_attributes=everywhere link_title_field=caption lightbox=foobox mobile_lightbox=foobox disable_mobile_hover=yes mouse_disable=yes] This is the last in a series of three posts exploring a single, high contrast image, with the goal of making a silver gelatin fibre based print. The first post was Overdeveloped negatives - printing from difficult negatives and the second Contact Proof Prints-standard exposure time. Split... Continue reading "Split grade printing on fibre based paper"

contact proof print 2015

Contact Proof Prints | Standard Exposure Time

[justified_image_grid ids="4564,4565,4266" use_link_attributes=everywhere link_title_field=caption lightbox=foobox mobile_lightbox=foobox disable_mobile_hover=yes mouse_disable=yes] In this post I will be looking at establishing a standard exposure time for making your contact prints. This is the second post in a series of three, you can find the first post Overdeveloped negatives – printing from difficult negatives here. Making a contact proof print... Continue reading "Contact Proof Prints | Standard Exposure Time"

Overdeveloped negatives | printing from difficult negatives

Overdeveloped negatives | printing from difficult negatives

Overdeveloped negatives, we all have them hidden away somewhere. You know, one of those bullet proof negatives that we look at despairingly knowing it is going to be difficult to print. And this is one of mine, which I have been putting off printing for several decades. You only have to see it on the... Continue reading "Overdeveloped negatives | printing from difficult negatives"

Old English wooden enlarger for glass plates

Old English wooden enlarger for 6×8 inch glass plates

Just came across this old photo of mine. Looking more like a guillotine this was my first large format enlarger. It is an old English wooden enlarger for glass plates purchased 25 years ago just outside Launceston, Tasmania. Made for glass plates up to about 6x8 inches, with two heavy window weights to counterbalance raising... Continue reading "Old English wooden enlarger for 6×8 inch glass plates"

traditional silver gelatin

Traditional Silver Gelatin Fibre Based Prints

Traditional silver gelatin fibre based prints are made by hand and involves the use of traditional darkroom, light sensitive materials and chemistry. In a darkroom you project an image onto photographic paper, much like you would project an image onto a wall with a slide projector. When making black and white prints the photographer can... Continue reading "Traditional Silver Gelatin Fibre Based Prints"

Traditional Darkroom

Traditional Darkroom Workshops

Traditional darkroom practise is slowly disappearing. It seems like there are less and less opportunities around Perth to learn about film photography and the making of traditional silver gelatin photographic prints, using a wet darkroom. Someone was telling me that even the local colleges are cutting back on resourcing film based photography for their students.... Continue reading "Traditional Darkroom Workshops"