During summertime I have to vary my darkroom routine to account for the heat. This means that I usually like to get to work early before the heat of the day sets in. With tasks like film processing it is important to be consistent, and that means keeping the temperature of the developer constant with the use of tempered water baths. It’s simple to do really, just add refrigerated water (during summer) to the room temperature tap water. You may also like to use a pre-rinse which can help adjust the temperature of developing tanks, film and reels prior to the actual development process. These days I just stick to a water bath and choosing a time of the day when you don’t have to fight too great a temperature differential between the room temperature and developer. Anyway, my point is that the window period for film development for me during summer is shortened, so it can take a while to catch up with a back log of film. So I was delighted when I viewed this morning’s processed black and white sheet films and rediscovered what I was photographing exactly one month ago during a trip to Augusta; in this case, bracken ferns. Developing films can be a bit of an adventure, you can never be absolutely sure what you have on film is what you see, and in this case I think I see more in the image than what I remember at the time on the ground glass.
"I go for long walks in the bush or along the coast with my wooden field camera, a few sheets of film, a tripod and sometimes a tent and food. I like to take my time to absorb the environment, to rediscover and to reconnect. My direct involvement with the materials and technique for making an expressive photographic print is of importance to me, so I continue to develop my own films and hand print all my black and white silver gelatin prints in my darkroom."more...