A few weeks ago I was visiting the Cape Clairault region, below Yallingup. It was one of those rare days on the coast, barely a whisper of a breeze. The clouds moved slowly across the sky and the sun shone sporadically through the small gaps. Up on the cliff tops there was the sound of crickets amongst the coastal heath and a wonderful sense of peace. Beautifully formed lines of waves broke upon the shore.
The view up and down the coast was expansive, in front of me was a tumbled down line of old wooden fence posts ending abruptly at the cliff’s edge. They once marked the extent of the property boundaries which have since retreated inland from the ocean, leaving behind this very narrow coastal strip, in parts only several hundred meters wide, as part of the Leeuwin Naturaliste National Park.
At the start of my walk I had no real objective, other than to visit a small waterfall, something I have done many times in the past. A school bus parked at the walk’s commencement announced that there was going to be company on the track. I couldn’t help but reminisce about the first times I had walked this area, over 20 years ago, before there were walk tracks and wooden bridges. You could spend hours here and meet no one. This area is now part of the Cape to Cape track, although the route to the waterfall is a slight detour. Not far along I met a party of young primary school kids returning from their walk. How lucky these local kids are, to enjoy a school outing in such a location.
I had a relatively easy walk, along the cliff tops and then down into the sand dunes as I followed the passage of the small brook snaking inland. Reaching the waterfall, I had the place all to myself and I was delighted to see it was flowing, given the dry winter.
On my way back, I picked my way through the dunes towards the ocean, pausing frequently to absorb the view and perfect conditions. When I came to the mouth of the brook I made this image.
The real Margaret River in detail. On the day I made this negative it had been drizzling consistently with rain, a typical winter’s day with an overcast sky, and then a late afternoon burst of sunlight. The river was flooded with fresh rain and the noise of rushing water could be heard several hundred metres away from within the marri -jarrah forest from where I had emerged. The forest (now a proposed national park) formed a natural buffer between my grandparents’ farm and the river valley. I have fond childhood memories of the river in various moods, with its secret rock pools, forested banks, jumble of dark rocks and fallen trees. But it is during the midst of a winter flow, with the rush of water over submerged rocks, swirling around partly submerged peppermint trees, that the rhythm of the river is most mesmerising. Kodak Tri X 4×5 film, exposure was probably f22 at 1/2 second, Rodinal developer.
Detail of Rock Thryptomene, Margaret River region. The relationships and spaces formed between the living and the inanimate often create a fascinating visual harmony. These wind pruned, stunted coastal Rock Thryptomene sit high on granite sea cliffs just north of Margaret River. Their tendril like branches of rough, fibrous bark and miniature hard spiky leaves are further testament to this harsh environment. The cliff tops are exposed to the height of winter gales which sweep up from deep within the Southern Ocean, sometimes with hurricane force. Grasping a root hold in shallow soil depressions between boulders, their branches spread outwards, caressing the very surface of their rocky domain, twisting and curving back upon themselves in a graceful, almost calligraphy like gesture.
The exposure information is as follows: Film was Tmax 400, 4×5 format, 90mm lens, f32, 1 second exposure, developed N+1. I was interested in experimenting with the contrast of a duplicate negative by toning it in Kodak Rapid Selenium toner diluted 1+3. I toned initially for 3 minutes, but could not detect any change in density, so continued up to 10 minutes. There was still no change so I tried straight toner for two minutes without dilution, still no affect. When I contact print both negs side by side there is no difference. I have only recently started using TMax 400 4×5 film, and this is the first time I have ever tried toning it. Previous toning has worked with Tri X 4×5. Maybe it is something to do with the chemical state or silver content of processed TMax films? (This is the New TMax film).