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Echidna Chasm Kimberleys Western Australia

Kimberley Western Australia

Echidna Chasm Kimberleys starts as a wide flat creek bed in the East Kimberley Bungle Bungles, and soon narrows into chasm walls as it goes deeper into the massif. High up the sun hits the top of the walls, bouncing reflected light further down into the chasm’s depths. Eventually the Echidna Chasm terminates at a narrow point only a few feet wide, the walls become so narrow that only a faint crack of overhead light is admitted deep inside.

First published in my Horizon 1998 large format colour calendar and later in my greeting card set,  Echidna Chasm Kimberley is available as a  photographic print.

 

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Wave Rock Hyden exfoliating granite Western Australia

Wave Rock Hyden Western Australia.

Wave Rock Hyden Exfoliating Granite

 

A few days ago I visited  Hyden a small country town about 350km inland, east of Perth. Hyden is  famously known for its nearby tourist attraction Wave Rock, a 15 metre high, 100 metre long granite wall that has weathered into the shape of an enormous breaking wave. The rock is one of a series that are spread throughout the region and there is a strong Nyoongar history present amongst them. During the last century Europeans settled within the region to farm wheat. This is an area of low rainfall, about 300mm annually, possibly less now with the impact of climate change. Another 100 kilometres east and you enter isolated desert country.

An obvious photographic subject would be Wave Rock with all its immensity and streaked rock face, however, I was interested in other aspects of the rock. This fractured layer of granite, virtually an exfoliating layer from the larger body below, with its zig zag of lines, caught my attention. The early morning sun had just risen over the rock summit, lighting its western flanks and I was needing to look straight into it. Using the combination of the rise on the lens board, pointing the camera down and using the double dark as a lens shade, I was able to minimise lens flare, whilst preserving good contrast. The negative was given about half a stop more exposure with N-1 development, film was Tri X Pan.

Hand printed 16x20 inch fibre based silver gelatin print.